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Taylor Swift has defied a lot of conventional wisdom. In the midst of a recording-industry implosion, she sold 3 million physical copies of her 2006 debut. At a time when Nashville is dominated by Stetson-wearing male singers in their 30s and 40s, the 18-year-old emerged as country's newest superstar with a repertoire full of girly songs aimed at teens. She is a blond, blue-eyed, amazonian starlet who -- unlike nearly every other person who fits that description -- writes her own songs, plays an instrument, answers to no Svengali and doesn't rely on high-priced studio ninjas and trendy producers. Britney she ain't.
With her second album, Swift aims to extend her dominion beyond the country-music-loving red states. Songs like "Fearless" and "The Way I Loved You" are packed with loud, lean guitars and rousing choruses. The only overtly country-ish things about Fearless are Swift's light drawl, the occasional reference to a "one-horse town" and a bit of fiddle and banjo tucked into the mix.
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